Phaidon, January 1965. Reprint. Cloth. {7 & 1/2' x 10 & 3/4') Beige cloth covered boards with brown lettering on spine and front panel. Darkened board edges. Dust stained textblock edges. Revised reissue. Previous owner's name in ink ffep. Same previous owner's small address sticker also affixed to ffep. [425..... More
Paddington, January 1976. Paper Back. Quarto. Clean, sound. Damp staining. [52pages plus 16 pages of illustration]. More
Tate Gallery, January 1978. Paper Back. Quarto. Clean, sound with light foxing. [164 pages]. More
Crown, July 2022. Hardcover. A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world--and Picasso the most famous artist alive--in the shadow of World War II "Fascinating, eloquent, wonderfully lucid, Picasso's War will change whatever we thought we knew about..... More
Yale University Press, January 1969. Paper Back. {7' x 10'} Cover is darkened at margins. Spine sun tanned and worn with superficial tears & chipping. Previous reader's name and a date in ink on title page. {109 pages plus 61 pages of black & white illustrations]. More
W. Kohlhammer, 1961. Cloth. {5' x 7 & 3/4'} In dustjacket with sun tanned spine. Mild edgewear. Mild foxing & soiling to cover. Flap is not clipped. End pages tanned/foxed. Previous readers' names & a date inked ffep. Dust staining of textblock edges. [244 pages] In German. More
Prentice-Hall, 1966. First Thus. Trade Paperback. Trade paperback with darkened margins to cover and interior pages. Underlining & side notes in inks (black & red). Complete number string. Previous reader's name in ink first inside page. [187 pages]. More
Walker & Company, January 1967. First Edition. Hardcover. {9' x 12'} In edgeworn dustjacket. Large tear top edge of rear DJ panel. Flap is not clipped. Cream colored boards with black lettering along spine and black illustration (by Hogarth) printed on front panel. Marginal foxing & darkening to boards &..... More
Penguin (Non-Classics), 199. Paper Back. Why are the paleolithic Venus of Willendorf, Michelangelo's Sistine Chapel frescoes, and Marcel Duchamp's ready-made urinal all considered works of art? Why, strictly speaking, is a Cindy Sherman photograph more art-like than a Da Vinci portrait? How did the painters and sculptors of the Renaissance..... More
F. Bruckmann, January 1964. Oversized Hardcover. {10' X 11'} Turquoise blue cloth covered boards with gold lettering. No jacket. Soiling/dust staining to front and rear boards. Discoloration/staining to spine. Tanned/foxing to end pages front and rear. Previous reader's name is in ink upon ffep. Foxing textblock edges. Text is in..... More
Phaidon Publishers, Inc., January 1964. Cloth. UK edition. Quarto in edgeworn dustjacket with foxed verso. Flap is not clipped. Brown cloth covered boards with gold lettering. Foxing/tanning to end pages. Hinge between front pastedown and ffep is cracked by remains intact. Previous reader's name and a date in ink on..... More
Prentice Hall, September 1997. Trade Paperback. For sophomore/junior/senior-level courses on Spanish Arts, Baroque Arts, and Art and Culture of Europe. This well-illustrated text examines international painting in Spain--in historical context from the reign of the Habsburg King Philip II to the death of Goya--unique in its approach; it goes beyond..... More
Pearson College Div, March 2005. Trade Paperback. This text combines a discussion of history and art as it focuses on the smaller courts of Mantua, Ferrara, Naples, and Urbino that produced an extraordinary amount of great art. For introductory college-level courses in art history or the general reader interested in..... More
Univ of Chicago Pr, April 1986. First Edition. Oversize Softcover. Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics..... More
Oxford University Press, USA, January 1986. Trade Paperback. More
Indiana University Press, January 2000. Trade Paperback. More
Yale University Press, May 2006. Hardcover. This beautiful volume features over 100 superb pieces of European furniture dating from the Renaissance to the late 19th century and represents outstanding designer-craftsmen such as Thomas Chippendale and Karl Friedrich Schinkel. Detailed texts incorporate new archival and technical information. Bound in heavy red..... More
Montclair Art Museum, January 1994. First Edition. Paper Back. {11' x 11'} Mild shelfwear. Small grey stain front cover. [60 pages]. More
Visual Arts Department & Gallery, October 2014. First Edition. Hardcover. {9 & 3/4' x 8 & 1/4'} Pictorial boards issued without dustjacket. Light grey end pages. Appears unread. More
Harry N Abrams, March 1998. Paper Back. Through close examination of Renaissance paintings, drawings, book illustrations, and other art works, the author brings 14th and 15th century Venice alive. More
Penguin Group USA, June 1999. Paper Back. This text offers an incisive and original account of fourteenth- and fifteenth-century Florentine art in its social, cultural, political, geographic, economic and religious settings. Ranging in scope from the monumental and public cathedral dome to the intimacy of the domestic interior, it explores..... More
Orange County Museum of Art, January 2006. Oversized Hardcover. "Villa America: American Moderns, 1900-1950" documents for the first time one of the world's most celebrated private collections of early twentieth-century American art. Curtis Galleries, Inc. founder Myron Kunin has spent much of his life slowly amassing major paintings by key..... More
Grunwald Center for the Graphic Arts / University of California, 1980. Paper Back. Quarto. Moderate shelf wear. [48 pages]. More
Editions du Centre Pompidou, January 1995. Paper Back. {7 & 3/4' x 9 & 1/2'} Sunned front panel. Mild soiling.. [88 pages]. More
Emory University, January 1999. First Edition. Stapled Pamphlet. {9' x 9'} Square octavo pamplet. 63 page exhibition catalog. Stapled pamplet. Signed & inscribed on blank white paper sheet (laid in) by Lois Overbeck (one of two editors). More
