Extra (+) Frances Hegarty & Andrew Stones
Site Gallery, October 2003. Stapled Soft Cover. Oblong octavo. More
Site Gallery, October 2003. Stapled Soft Cover. Oblong octavo. More
Bittan Fine Art Inc., November 2005. First Edition. Hardcover. Jacket has two small closed tears on the back. Mylar wrapped to protect. Signed by the artist on the front free endpaper. More
Feigen Contemporary, January 2000. Stapled Soft Cover. Oblong 12mo. Exhibit catalog. More
Salvador Dali Museum, St Petersburg, Florida, January 1999. Paper Back. Oblong octavo with mild edgewear. More
Southern Alberta Art Gallery, January 1999. Soft Cover. 46 PAGES. More
The Gallery, January 1993. Stapled Soft Cover. Quarto. French & English. Near fine all around. More
Museum of Modern Art, New York, January 1992. Oversized Hardcover. Jacket soiled, with a tear to rear panel; wrapped for further preservation. More
Emory University Museum of Art and Archaeology, January 1986. Paper Back. Foxing. Else clean & solid. Square octavo. Exhibit catalog. 60 pages. More
John Michael Kohler Arts Center, June 1994. Paper Back. Bumped at bottom corner. Small cut at top of spine. Wear. More
Galerie du Centre des Arts Saidye Bronfman Montréal, 1997. Paper Back. Quarto. More
University of California Press, November 2002. Hardcover. With close analysis of Homer's art and of the personal challenges he faced throughout his life, Winslow Homer: The Nature of Observation is the most comprehensive study to date of the relationship between the artist's work and the psychological stages of his life..... More
Thames & Hudson, October 2023. Hardcover. What was the "Renaissance"? In the nineteenth century this flowering of creativity and thought was celebrated as the birth of the modern world. Today many historians are sceptical about its very existence. Earthly Delights rekindles the Renaissance as a seismic change in European mentalities..... More
Yale University Press, February 2008. Cloth. The Forest of Fontainebleau, located about 50 miles southeast of Paris, held a singular place in 19th-century art.Variously called savage, wild, romantic, and beautiful by visitors, Fontainebleau s topography was viewed inmany ways that reflected the sensibilities of the time.This is the first English-language..... More
Nexus Press, January 1993. Trade Paperback. Postcard book. All cards complete. Signed by the author 'To Marvin' on the title page. Very good shape all round. More
Reykjavik Art Museum, January 2001. Oversized Hardcover. Folio. No jacket as issued. Pictorial boards. More
Kimbell Art Museum, January 1985. Oversized Hardcover. More
Privately Printed, 1981. Limited. Oversized Hardcover. Edition limited to 750 copies. This is number 518. A bit of foxing on endpapers; else, near fine. More
The Edmonton Art Gallery, Edmonton, Alberta. Stapled Soft Cover. More
Rice Univ Pr, January 1986. Cloth. Very good all round. Jacket mylar wrapped. Two school stamps on the front free endpaper and the title page. More
Instituto De Cultura De Morelos, January 1995. Trade Paperback. More
Phaidon Press, September 1995. Oversize Softcover. Thomas Gainsborough (1727-88) was one of the most brilliant and original portrait painters of the eighteenth century, surpassing his great rival Reynolds with his ability to capture a likeness and in his superb handling of paint. He was also a talented and sensitive landscape..... More
Fides, January 1986. Cloth. Quarto in very good dust jacket. Text is in French. Clean & solid. More
Lavender Ink, January 0001. Paper Back. Oblong octavo. Clean, solid, near fine all around. No markings. More
Kunstwerke Berlin. January 1995. Paper Back. Clean, without markings. Text in German & English. More
Monacelli Press, December 2023. Hardcover. A unique survey of 350 artworks by a global and diverse array of LGBTQ+ artists - many underrecognized and overlooked - from the last 50 years Though the Stonewall Riots might now be shorthand for the start of the gay rights movement, so much of..... More