Mit Pr, November 1997. Oversized Clothbound. Yve-Alain Bois and Rosalind E. Krauss convincingly introduce a new constellation of concepts to our understanding of avant-garde and modernist art practices. In Formless: A User's Guide, Bois and Krauss present a rich and compelling panorama of the formless. They chart its persistence within..... More

Ellis Lane Press, March 2006. Hardcover. If readers haven't heard of Bill Arnett, the Atlanta art collector-dealer-patron whom Dietz reports on in this book, they'll certainly have an opinion about him by the time they close its covers. A self-made art expert who traveled the world and amassed a collection..... More

Routledge & K. Paul, January 1753. Trade Paperback. More

Instituto De Cultura De Morelos, January 1995. Trade Paperback. More

Grove Press, 1967. Cloth. Small quarto in price-clipped, mildly damp stained, edgeworn dust jacket. Textblock stained/soiled at top edge. Boards mildly damp stained, slightly bowed. More

The MIT Press, March 1990. Cloth. The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far..... More

The MIT Press, 1993. Cloth. The development of photomontage techniques during the early 1920s and 1930s in the United States, Germany, and the Soviet Union had a profound influence on contemporary art and mass media. Montage and Modern Life uncovers the roots of this complex relationship. Through unexpected juxtapositions and..... More